Nikolai Obouhov (1880–1954) was a Russian composer and pianist known for his contributions to early 20th-century music, particularly in the avant-garde and modernist genres. He was born in Saint Petersburg and later moved to France, where he became associated with the Parisian avant-garde movement. Obouhov's notable works include "Concerto for Piano and Orchestra" (1925), "Symphony No. 1" (1931), and various chamber pieces that reflect his innovative approach to harmony and rhythm. He was also known for his unique use of orchestration and for blending traditional Russian elements with contemporary European styles. Though not widely recognized in the mainstream canon, Obouhov's impact is significant in the context of Russian émigré music. His work influenced a generation of composers who sought to push the boundaries of musical expression and form. Additionally, Obouhov's teaching and writings contributed to the development of theoretical discourse in music, particularly concerning the use of polyphony and orchestral color. His legacy remains a point of interest for scholars exploring the intersection of Russian music and modernist trends.